#Toon animation software update#
#Toon animation software software#
#Toon animation software free#

Scene Two: Arthell Isom, studio founder and background artist, DвЂ™ART Shtajio The scene uses imported raster and vector assets along with HarmonyвЂ™s textured brushes and pens, deformers, depth of field effects, colour scale nodes and rigging with master controllers. Interpreting, вЂњIn our worldвЂ¦ // Everything is possible,вЂќ Belgian illustrator Mark BorgionsвЂ™ scene begins with a squirrel climbing a massive tree as giants approach to play instruments. Scene One: Mark Borgions, illustrator and animator, HandMade Monsters These teams were drawn from both the Toon Boom Ambassador Program and our international community, and were given total creative freedom on their scenes. To showcase Harmony 20вЂ™s stylistic flexibility and features, we invited seven artists and teams to produce a demo pack, each contributing scenes inspired by a short prompt. вЂњHarmony 20 has tools and capabilities that dare artists to push beyond the boundaries of what audiences expect to see.вЂќ вЂњThe entertainment industry is becoming aware of the true value of animation - both as a means of producing content and of expressing what is impossible to show in any other medium,вЂќ says Stephanie Quinn, Director of Marketing at Toon Boom Animation. Their work illustrates endless possibilities with Harmony 20вЂ™s improved drawing and colouring tools as well as a host of new features. With Harmony 20, we want to challenge artists and animators to express themselves in new styles - inspiring users with a demo pack created by seven artists and their teams from around the world.

#Toon animation software update#

The animation floodgates just opened.Toon Boom Animation launched the newest update to Toon Boom Harmony, our award-winning animation production software.

#Toon animation software free#

ThatвЂ™s especially why we view OpenToonz, a free professional-grade 2D animation software, as a complete and total gamechanger for the animation industry moving forward. However, many of the young artists in these regions do not have the resources to invest in proprietary software. The widespread availability of hardware is allowing animation production to expand in parts of the world that traditionally have not been major animation producers (South and Central America, Africa, the Middle East). The announcement of OpenToonz comes at a time when animation is experiencing the biggest boom period in its history. While there will no doubt be a learning curve for artists who are used to industry standards like Flash and Toonboom, Toonz is also more than capable of handling major productions, and the long-term benefits of switching to open source could prove attractive for many studios. Toonz is not exactly a well known name, even among industry pros, but the list of major companies and projects that have used it before (as well as GhibliвЂ™s ringing endorsement) should be enough to convince many artists to give it a try. вЂњThis deal will be also the starting point of a new exciting plan to endorse the open source business model, by supporting training and customizing Toonz for the old and new users.вЂќ to make of Toonz a world standard for 2D animation,вЂќ said Claudio Mattei, managing director of Digital Video. вЂњThe contract with Dwango, which offers the Toonz open source platform to the animation community, has enabled Digital Video to realize one of its strategies, i.e. A premium version will continue to be sold at a вЂњvery competitive priceвЂќ for companies who wish to invest in the customization of Toonz for major projects. It was originally available only for high-end SGI workstations, and for a period of time was part of MicrosoftвЂ™s Softimage arm, which later became Autodesk.Дigital Video will continue to develop and market Toonz software, and will offer installation, configuration, training, support and customization services to studios.

#Toon animation software software#

The software boasts an extensive history, dating back to 1993, and has been used on the production of many Hollywood features and TV series including FoxвЂ™s Anastasia, AmblimationвЂ™s Balto, and MTVвЂ™s The Maxx, as well as popular computer games like PsygnosisвЂ™s Discworld 2. However, Toonz is not exclusive to Ghibli and is used by plenty of other studios, including Rough Draft, which produced Matt GroeningвЂ™s Futurama with it, and Folimage, which used it for its recent feature, Phantom Boy. Atsushi Okui, executive imaging director at Studio Ghibli, explained that they initially chose Toonz back in 1995 вЂњin order to continue producing theater-quality animation without additional stress,вЂќ and a desire for software that had вЂњthe ability to combine the hand-drawn animation with the digitally painted ones seamlessly.вЂќ